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We Have The Most Extensive & Up To Date Music Industry Contacts Directories In The World; All Music Industry Contacts Plus Includes 11 Separate Directories & Is Over 1,000 + Pages!

We Have A Team Of 4 Music Industry Professionals who verify our music industry contact information daily and make over 800 verification calls a week, thats over 38,400 calls a year to make sure that you have the most accurate information possible!

Get In Direct Contact With Thousands Of Music Industry Contacts; Including Successful Record Label A&R, Music Managers, Music Agents, Music Producers, Music Publicists, Music Attorneys, Independent Record Labels, College and Independent Radio Stations, Music Distributors, TV and Film Music Supervisors and Music Publishers!



Record Label:

The viability of the record label ought to also be assessed at various stages. The Music Manager must be aware of personal and organizational changes occurring inside the record label contacts that could be seriously detrimental to the artist. Record Label Contacts: The resignation or firing of key record label employees, mergers or acquisitions, and chips in the record label arrangements all could have some impact on the artist relationship with the record label. It is also vital that the artist gets his or her share of the music resources and attention from the record label. On the off chance that it becomes apparent that the artist does not figure into the long haul future of the record label, it's a great opportunity to look elsewhere. Rest assured that every record label directs periodic reviews of their artist roster with the perspective on slicing the least productive Artists to make way for fresh recruits.

Record Label Contacts:

The examples of artists and a record label parting company after long, effective relationships are many. While this is once in a while sad, it's also a reminder that the music professionals at this dimension is very much a music business. There is a better chance for you to make it as an artist, band or music producer. On the off chance that you are persistent and in the event that you want to get in direct contact with a fruitful Record Label working with settled music distribution. (AMIC) All Music Industry Contacts will enable you to book shows to promote your talent. In the event that you are a performance artist or band it is vital to have music managers or music agents as well, you can discover all of their direct contact information at: All Music Industry Contacts (Plus) including over 10,000 A&R's who work at over 2,000 record labels, (AMIC) or All Music Industry Contacts (Plus) also contains a select rundown of record label A&R reps, music producers, music agents, music supervisors, music managers, music publishers and radio stations.

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Helping The Record Label Help You:

When the artist and Music Manager have prevailed with regards to establishing an affiliation with a major record label they've cleared a crucial hurdle. In one way there finally achieved the achievement they worked so hard to attain. However, in another way to work has just begun. Marking a contract with a decent record label and becoming an established recording artist are two entirely different matters. To bridge the gap but it takes between the sorts of hard work it did to interest the record label in the first place. Record Label Contacts: The main difference is that the record label isn't potentially a falsehood rather than a shut door that must be pried open at this stage the music managers returns from sales person to motivator and coordinator. Helping the record label help you! Get associated with a record label; including A&R, music managers, agents, music producers, record label and publisher.

Major Record Label

A Mini Major Record Label is a company that affiliates with a major record label. How this works is the Mini Major Record Label usually has a&r reps and signs it claims acts, promotes its own artists, produces its own records and has the Major Record Label distribute the records. Record Label Contacts: The two Companies will part the profits from this joint venture by a certain percentage, usually in the favor of the Major Record Label. An example of a Mini-Major Record Label is Geffen, Interscope Record Label, Black Ground Records, Priority Records, Bad Boy Records and Maverick Records. A few examples of an Independent Record Label is No Limit Records, Aftermath Records, Priority Records, Side One Dummy Records, and American Recordings. Record Label in Atlanta

Record Label in Nashville

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Record Label in NYC

Record Label in DC

Record Label in Boston

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Record Label in Miami

Record Label in Chicago

Record Label Searching for Artists and Bands

Different Type Of Record Labels and Their Advantages:

It is the job of your record label to create and distribute records. In exchange for cash, a record label obtains the right to duplicate and distribute your the artist's record. The record company provides a recording agreement for the artist to sign that states the terms of their agreement. Record Labels obtain the restrictive right to reproduce the artist's material in exchange for a cash advance and mechanical royalties. There are many sorts of Record Labels and they all have their benefits and disadvantages. Independent Record Label: There are Major Record Labels, Mini Major Record Labels, and Independent Record Labels. The biggest Major Record Labels are Sony, Universal, WEA, and BMG. A portion of the other Major Record labels is Warner Bros. Records, DreamWorks, RCA Records, MCA Records, Capitol Records, Atlantic Records, and Columbia Records.

Record Label Contacts: Inside the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and be both promoted and heard on music streaming services, radio, and television. Record labels provide publicists, who assist performers in gaining positive media coverage and arrange for their merchandise to be available via stores and other media outlets.
Independent Record Label: But an increasing number of artists have tried to avoid expenses and gain new audiences via the Internet, regularly with the assistance of videos. Combined with the decrease in album sales and rapid growth in free substance available on the web, this has changed the way the industry works dramatically since the beginning of the 21st century. It has caused record labels to look for new sources of profit, in particular via "360" deals (see below, under "new label strategies").

Major Versus Independent Record Label:

Record labels may be small, localized and "autonomous" ("outside the box"), or they may be part of a large international media group, or somewhere in between. Record Label Contacts: The Association of Independent Music (AIM) defines a 'major' as "a multinational company which (together with the companies in its group) has more than 5% of the world market(s) for the sale of records or music videos." As of 2012, there are just three labels that can be referred to as "major labels" (Universal Music Group, Sony Music Entertainment, and Warner Music Group). In 2014 AIM estimated that the majors had a group global market share of some 65– 70%.[2]

Record Label Imprint:

A label utilized as a trademark or brand and not a company is called an imprint, a term utilized for the same idea in publishing. An imprint is in some cases marketed as being a "project", "unit", or "division" of a record label company, despite the fact that there is no legal business structure associated with the imprint. Independent Record Label:

Independent record label:

Record companies and music publishers that are not under the control of the big three are generally considered to be autonomous (independent), regardless of whether they are large corporations with complex structures. Record Label Contacts: The term non-mainstream label is now and again used to refer to just those free labels that adhere to autonomous criteria of corporate structure and size, and some consider an independent label to be almost any label that releases non-mainstream music, regardless of its corporate structure. Independent Record Label: Free labels are frequently considered more artist-friendly. In spite of the fact that they may have less financial clout, outside the box labels typically offer larger artist royalty with a half profit-share agreement, aka 50-50 deal, not uncommon.

Sub-Record Label:

Music collectors regularly utilize the term sub label to refer to either an imprint or a subordinate label company, (for example, those inside a group). For example, during the 1980s and 1990s, "fourth and B'way" was a trademarked brand possessed by Island Records Ltd. in the UK and by a subordinate branch, Island Records, Inc., in the United States. The center label on a fourth and Broadway record marketed in the United States would typically bear a fourth and B'way logo and would state in the fine print, "fourth and B'way™, an Island Records, Inc. company". Collectors talking about labels as brands would say that fourth and B'way is a sub label or imprint of just "Island" or "Island Records". Record Label Contacts: Similarly, collectors who treat corporations and trademarks as equivalent may say fourth and B'way is an imprint and/or sub label of both Island Records, Ltd. and that company's sub label, Island Records, Inc. However, such definitions are complicated by the corporate mergers that occurred in 1989 (when Island was sold to PolyGram) and 1998 (when PolyGram merged with Universal). Island remained registered as corporations in both the United States and the UK, but control of its brands changed hands on different occasions as new companies were formed, decreasing the corporation's refinement as the "parent" of any sub-labels.

Vanity Record label:

Main article: Vanity Record Label:

Vanity labels are labels that bear an imprint that gives the impression of an artist's ownership or control, but in fact, represent a standard artist/label relationship. In such an arrangement, the artist will control simply the usage of the name on the label but may appreciate a greater say in the packaging of his or her work. An example of such a label is the Neutron label claimed by ABC while at Phonogram Inc. in the UK. At one point artist Lizzie Tear (under contract with ABC themselves) appeared on the imprint, but it was dedicated almost entirely to ABC's offerings and is as yet utilized for their re-releases (however Phonogram claims the masters of all the work issued on the label).

However, not all labels dedicated to particular artists are totally superficial in origin. Many artists, early in their careers, create their own labels which are later bought out by a bigger company. If so it can now and then give the artist greater freedom than if they were signed directly to the big label. Record Label Contacts: There are many examples of this sort of label, for example, Nothing Records, claimed by Trent Reznor of Nine Inch Nails; and Morning Records, possessed by the Cooper Temple Clause, who were releasing EPs for years before the company was bought by RCA.

Record Label Relationship with Artists and Bands:

A label typically enters into a restrictive recording contract with an artist to market the artist's recordings in return for royalties on the selling price of the recordings. Contracts may stretch out over short or long durations, and may or may not refer to explicit recordings. Established, effective artists will, in general, be able to renegotiate their contracts to get terms more favorable to them, but Prince's tremendously publicized 1994– 1996 quarrel with Warner Bros. Records provides a strong counter example, as does Roger McGuinn's claim, made in July 2000 before a US Senate board of trustees, that the Byrds never received any of the royalties they had been promised for their biggest hits, "Mr. Tambourine Man" and "Turn! Turn!, Turn!".[5]

A contract either provides for the artist to deliver finished recordings to the label or for the label to undertake the recording with the artist. For artists without a recording history, the label is regularly associated with choosing producers, recording studios, additional musicians, and songs to be recorded, and may supervise the yield of recording sessions. For established artists, a label is usually less associated with the recording process.

The relationship between record labels and artists can be a troublesome one. Many artists have had albums altered or censored somehow or another by the labels before they are released—songs being altered, artwork or titles being changed, etc.[citation needed] Record labels generally do this because they believe that the album will sell better if the changes are made. Regularly the record label's choices are prudent ones from a commercial perspective, but this typically frustrates the artists who feel that their art is being reduced or misrepresented by such actions.

In the early days of the recording industry, record labels were absolutely necessary for the accomplishment of any artist.[citation needed] The first goal of any new artist or band was to get signed to a contract without a moment's delay. Record Label Contacts: During the 1940s, 1950s, and 1960s, many artists were so desperate to sign a contract with a record company that they once in a while wound up consenting to arrangements in which they sold the rights to their recordings to the record label in perpetuity. Entertainment lawyers are usually utilized by artists to talk about contract terms.

Through the advances of the Internet the role of labels is becoming increasingly changed, as artists are able to freely distribute their own material through web radio, peer to peer record sharing, for example, Bit Torrent, and other services, for next to zero expense but with minimal financial return. Established artists, for example, Nine Inch Nails, whose career was created with major label backing, announced a conclusion to their major label contracts, referring to that the uncooperative nature of the recording industry with these new trends are hurting musicians, fans and the industry as a whole. Record Label Contacts: Nine Inch Nails later returned to working with a major label, admitting that they required the international marketing and promotional reach that a major label can provide. Radiohead also referred to similar intentions with the finish of their contract with EMI when their album In Rainbows was released as a "pay what you want" sales display as an Online download, but they also returned to a label for a conventional release.[8] Research demonstrates that record labels still control most access to distribution.[9]

New Record Label Strategies:

With the advancement of the computer and innovation, for example, the Internet, leading to an increase in document sharing and direct-to-fan digital distribution, combined with music sales diving in recent years,[10] labels and organizations have had to change their strategies and the way they work with artists. New sorts of deals are being made with artists called "various rights" or "360" deals with artists. These sorts of pacts give labels rights and percentages to artist's touring, merchandising, and endorsements. In exchange for these rights, labels usually give higher advance payments to artists, have more patience with artist development, and pay higher percentages of CD sales. These 360 deals are best when the artist is established and has a loyal fan base. For that reason, labels currently have to be more relaxed with the development of artists because life span is the way to these kinds of pacts. Several artists, for example, Paramore, Maino, and even Madonna have signed such kinds of deals.

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Here at Mix Makers LLC. Online Audio Mastering we guarantee that we can make your songs sound 10 times better after we master your music and right now for Mix Makers customers its only $20 per song and we will master one of your songs for (FREE) if you order all three of our music resources including All Music Industry Contacts (Plus), Music Management 101 and The Music Marketing Engine all together which is only $79.95 compared to the normal price which is $104.85. Remember that our audio mastering services is normally $50 per song so if you order All Three Of Our Music Resources (Bundle) with (FREE) audio mastering you are getting a great deal.

Our best deal for people that are not Mix Makers LLC. customers is that even if you don't order any of our three music resources we will still master one of your songs and send you a free 2 minute sample, this way you can hear the quality of your music after being mastered by our company. Right now we also have another special deal so if you order all three of our music marketing products including All Music Industry Contacts (Plus), Music Management 101 or The Music Marketing Engine, we will master one of your songs for (FREE) and the normal price for anyone that is not a Mix Makers LLC. Customer is $50 per song.

We Have The Most Extensive & Up To Date Music Industry Contacts Directories In The World; All Music Industry Contacts Plus Includes 11 Separate Directories & Is Over 1,000 + Pages!

We Have A Team Of 4 Music Industry Professionals who verify our music industry contact information daily and make over 800 verification calls a week, thats over 38,400 calls a year to make sure that you have the most accurate information possible!

Get In Direct Contact With Thousands Of Music Industry Contacts; Including Successful Record Label A&R, Music Managers, Music Agents, Music Producers, Music Publicists, Music Attorneys, Independent Record Labels, College and Independent Radio Stations, Music Distributors, TV and Film Music Supervisors and Music Publishers!

The Music Industry Consolidation:

During the 1970s and 1980s, there was a phase of consolidation in the record industry that prompted almost all major labels being claimed by a very couple of multinational companies. Cd's still move through a handful of sources, with the majority of the sales experiencing the "big three" record labels.

The resurgence of an independent record label:

During the 1990s, as a result of the widespread utilization of home studios, consumer recording innovation, and the Internet, autonomous labels began to become more commonplace. Free labels are frequently artist-possessed (although not always), with a stated plan regularly being to control the quality of the artist's yield. Autonomous labels usually detest the resources available to the "big three" and as such will regularly lag behind them in market shares. Frequently autonomous artists manage a return by recording for a lot smaller production cost of a typical big label release. Once in a while, they are able to recoup their initial advance even with much lower sales numbers.

On occasion, established artists, when their record contract has completed, move to an autonomous label. This regularly gives the combined advantage of name recognition and more control over one's music along with a larger portion of royalty profits. Artists, for example, Dolly Parton, Aimee Mann, Prince, Public Enemy, Bk Bravo (Kua and Rafi), among others, have done this. Historically, companies started in this manner have been re-absorbed into the major labels (two examples are American singer Frank Sinatra's Reprise Records, which has been claimed by Warner Music Group for some time now, and musician Herb Alpert's A&M Records, presently possessed by Universal Music Group). Similarly, Madonna's Maverick Records (started by Madonna with her manager and another partner) was to go under control of Warner Music when Madonna stripped herself of controlling shares in the company.

Some autonomous labels become sufficiently effective that major record companies negotiate contracts to either distribute music for the label or at times, purchase the label totally.

On the punk rock scene, the DIY ethic encourages bands to independently publish and self-distribute. This approach developed out of need around since the early 1980s, because of the major labels' aversion to marking the punk rock bands that spawned after the initial wave in the mid-70s. Such labels have a reputation for being fiercely uncompromising and especially reluctant to cooperate with the big record labels at all. A standout amongst the most notable and influential labels of the Do-It-Yourself attitude was SST Records, created by the band Black Flag. No labels wanted to release their material, so they essentially created their own label to release their own material as well as the material of many other influential underground bands all over the country. Ian MacKaye's Discord is frequently referred to as a model of accomplishment in the DIY people group, having survived for over thirty years with under twelve representatives at any one time.

Internet and digital record label:

Main article: Net label:

With the Internet currently being a viable source for obtaining music, net labels have emerged. Contingent upon the ideals of the net label, music records from the artists may be downloaded free of charge or for an expense that is paid via PayPal or another Online payment framework. A portion of these labels also offers hard duplicate Cd's in addition to direct download. Digital Labels are the latest version of a 'net' label. Whereas 'net' labels were started as a free site, digital record labels are more challenging for the major record labels.

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