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At Audiophile we have seen it all; the great, the bad, the terrible, and then what.. what is this? So here's somewhat of a handy dandy check rundown to make sure you are primed to present a demo to a proper label (in no particular order): It's no secret that getting a label to try and tune in to your demos regardless respond is a very normal thing among the music industry – yet there could be a reason why this continues happening to you.
1. Press Shots:
I am talking superb, 3000×3000 or more resolution pictures of yourself taken by a quality photographer. I cannot stress that it is so annoying to not have any substance to work with from artists that we are wanting to sign. In a world that revolves around substance, you are putting yourself at a colossal advantage by giving a label suitable substance to promote your release. Record Label Contacts: Preferable press shots with a white or black back drop with contrasting shirt colors are preferred. Why? Because it enables us to cut around the substance for use on videos, banners, flyers and substantially more. In the event that you don't have this present, now is the ideal time. It's an instant game changer for us personally and I'm sure many other labels.
2. The Music:
Clearly, it starts with the music. When we're tuning in through demos we want to hear feel, originality and for a track to be extraordinary however it's always reliant on which angle label astute you are going for. However, it is essential that you take an opportunity to tune in through a label's back catalog before presenting a release. Record Label Contacts: You would prefer not to make the mistake of sending a label the wrong genre of music (this happens more than you would suspect). Many occasions you get one chance to demonstrate that you take an opportunity to submit appropriate demos before placed in a spam folder.
3. Electronic Press Kit:
Want to get booked and get support from press, radio, and news outlets? Make an EPK, an electronic press unit. This is a really strong introduction to your identity as an artist and why they should care. Record Label Contacts: It ought to be extremely impressive as this is generally your first contact with the receiving end of your proposal. Incorporate key performances, releases, social media statistics, videos, gig pictures – however keep it straight to the point. In the event that you have to horse crap it, at that point chances are you ought to probably leave it off.
Another true indication of an artist wants to succeed is one that has uniform branding across all of their social media pages. What do I mean by this? A logo (that looks novel and professional), color subject (take a gander at UMEK, he revolves his brand around a teal blue color), and clean and esthetically pleasing art and organization across your social media outlets. Record Label Contacts: Nothing scares us like receiving a great demo and then observing a Soundcloud page in absolute disarray – it indicates laziness.
5. Presenting Your Tracks:
Another one that shouldn't have to be talked about however happens – the glorious demo accommodation process. The greatest annoyance of a label is when artists don't adhere to instructions. For example on our accommodation page, we clearly indicate that we don't accept demo previews or remixes of tracks that we don't claim the rights to, as well as how we anticipate that the tracks should be delivered for tuning in. Record Label Contacts: Not adhering to instructions on the most proficient method to submit is an instant-no and a decent way for you to be ignored by the label you are submitting music to. Be astute!
This ought to be pretty plain as day, however, 95% of the demos we receive have very low attention to production detail. Make sure in the event that you are shooting for the stars to hire an engineer to investigate your mixdowns and potentially even provide a demon master. With thousands of demos going across the work area of labels, you absolutely need to stand out among the clamor. Demonstrate that you mean business!
7. Agreeing to accept A Performance Rights Organization:
Much the same as many other individuals, we cherish royalties – a great deal. Agreeing to accept a performance rights organization allows you to gather lucrative royalties when your tracks are played on radio stations (terrestrial, satellite, and internet), utilized on TV shows or commercials, or performed in live scenes. Record Label Contacts: What's not to adore about this? Many circumstances it's difficult for labels to work with artists who haven't taken the means to agree to accept these organizations! Read through this article and think you got everything covered? At that point don't hesitate to present your demo's to one of our labels today!
8. Engagement With Your Fans:
Labels can possibly do as such much with regards to promotion, which is the reason you will, in general, discover partnerships between established artists and labels with regards to releases – essentially multiplying the reach and the achievement of the release many occasions. Record Label Contacts: However, many occasions in case you're a newer artist a label will look at your socials and monitor active engagement with your fans. It's tremendous in addition to in demonstrating that you have some meat on the bone as far as your ability to promote your music.
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Start contacting all of the greatest music industry veterans! All Music Industry Contacts (Standard) and (Plus) versions contain all of the most modern and direct music industry contacts postings you should further your music career. Our (AMIC) All Music Industry Contacts "Instant Download" also contains proven ideas that will enable you to make a living off of your music. As a customer, you will almost certainly receive a completely altered state of the art artist, band or music producer website which incorporates your online music press unit for just $20 per month. Presently all you have to do to qualify is order All Three Music Marketing Products for just $59.95 to turn into a customer which makes you qualified for your hand crafted music website. The $20 that you pay per month is just going towards your facilitating domain name and other marketing instruments that will enable you to prevail in the music industry.
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You see it's not our goal here to make cash off of you RE: $20 Per Month because we will utilize that cash to keep your website and press unit exceptional so as to further promote your website which incorporates email blasts to Record Label A&R, Music Managers, Music Producers, Music Agents, Music Supervisors, Music Attorneys, Music Publicists, Radio Stations. And so forth. Record Label Contacts: We are also going to give you free access to email marketing for free with the goal that you can give away two or three your songs to tempt potential fans into ordering your entire album and we will execute the innovation to deliver your songs instantly as an "instant download" in addition to a connection to the song your fan purchased is sent to their email as well so there are never any problems, I wrote all the code myself and it works seamlessly so you are your very own distributor and get to keep 100% of your music sales revenue.
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Record Label Contacts: What's the deal with record companies, anyway? Aren't they supposed to be on the lookout for new talent? Why is it so hard to get them to listen to my demo? Geez, you'd think they weren't interested in hearing music at all!
One, they were sick of getting sued. About twenty years ago, labels and publishers began to get hit with nuisance "copyright infringement" lawsuits by songwriters claiming their songs had been stolen by the big, bad companies. In order to even begin filing such a suit, the plaintiff has to prove "access" -- that is, they must show that the company had had an opportunity to hear, and then steal, the song. Simply mailing an unsolicited demo to a record company was enough to show that the company had "access" to steal the song, even if they never actually listened to it.
Record Label Contacts: Two, 98% of all unsolicited material is garbage. It's true, believe me. Sure, there are some diamonds in there, but when the cost of going through it all is combined with the risk of getting sued for doing so, the companies decided they would risk missing out on a few "diamonds" to save a few clams.
Three, musicians are nuts. OK, not all musicians, but enough to terrorize, threaten, and/or generally harass and make life miserable for receptionists, secretaries and A&R people throughout the industry that in order to get some real work done, they had to stop taking calls from just anybody that decided it was time to quit their job and be a star.
Record Label Contacts: And four, they still get tons of new material to listen to from people that they already work with. In fact, most A&R people don't have enough time in their schedules to listen to all the new music that is sent to them by friends, managers, attorneys, and other trusted sources. But at least they know that this material will be worth listening to because someone is staking their professional reputation on it. And besides, these people aren't going to be telling them they know where their kids go to school if the company doesn't sign the band.
You can just present your music to our A&R team via a streaming service like Soundcloud/Youtube/Spotify and so forth. To upload your music to us is never again conceivable since our mailboxes became too crowded. Please present your best 1 song just, we will just hear one out song anyhow. When you present your demo, we might want you to give us the right to share your music on our Social Media pages. Basically to share your awesome music. We won't do this every time however, just in the event that we like your music. Month to month, we will award the best demo submitted to us. There is a checkbox in the demo accommodation form to give us this right. Please pursue our facebook page to stay tuned.
Record Label Contacts: What Rexius Records do is to take your music to an unheard of level, therefore we are searching for attitude, talent, and driven individuals. We adore when individuals know why they are creating their music. Consequently, please also write a couple of lines why you are doing this and why you might want to be part of the Rexius family. Indeed, our artists are our family, when you are with us we are in this together. Be that as it may, please don't write an essay, a colossal mass of content won't cheer up our A&Rs. Rather they will skip it in the event that it is excessively long. Simply write short and compactly.
We accept demos in all genres, many of our demo entries are inside: Rock, Pop, Singer/Songwriter, Country, EDM, Metal, Hip-Hop, Rap, Latin, R&B and Soul. We prioritize original music. In the event that you send a cover, you can expect not to be signed, however, we can always help writing original songs for you. Take a glance at our Songwriting page in the event that you are interested in.
Let's get the story straight from the horse's mouth. Let's have some A&R people tell you where and how they find new artists: We tune in to all demos that are submitted to us, however, please respect that we may take time to respond, because of many artists sending demos to us. However, you will always get a response for free. Record Label Contacts: Your demo shouldn't be perfect yet. We are tuning in to your potential, not the studio quality. On the off chance that you have a work in progress and are really talented, at that point we will enable you to shape the edges. Although, very much produced music does make a difference and please don't send a recording from your cell phone. (Truly, that actually happens… )
Subscribe to our newsletter, we will month to month send advice on how you can take your music to the following dimension. Write a short and succinct letter why you want to be part of Rexius Records and how we can help.
Your demo accommodation shouldn't be perfect. However great recording quality is taken into consideration. We don't any longer accept physical entries. Unfortunately, we don't have a CD-player at our place! Instead of paying for delivery and traditions we recommend you to simply send a digital connection to us.
Record Label Contacts: The obvious answer is: "Good luck!" That is by far the longest row to hoe. That's the most challenging way to try to build a career. Sometimes it happens. Sometimes you'll have songs that are so active or a writer who is just so enormously talented, that it is just obvious to everyone in the music business, and immediately that person has the appropriate support, and other people help them build their business and do it for them. That occasionally happens. But it's sort of like waiting around for gold to fall from the sky. There is no point.
Submit Demo tips: Soundcloud, Spotify and YouTube join are great. Present a demo (and just one demo) that represents you and that you are proud of. Try not to send the same song twice (however, continue working on your music) Incorporate your website, facebook, twitter, youtube channel on the off chance that you have one you are proud of.
In the event that you need More tips, you can pursue the connection. Otherwise, feel free to submit a demo.
Looking forward to tuning in to your music!
Vice President, Talent Acquisitions
Universal Music Publishing Group
How do you find out about new writers or new artists?
Record Label Contacts: ASCAP and BMI turn me on to stuff, and I think that's a great opportunity for writers and artists. I'm not a real Internet person. I don't go into those sites and just scope around for new material. I don't have time for that. I don't think that's the best way for me to spend my time. If someone sends me something that way, I'll listen to it. But I don't just go searching that way. I'd much rather stick a CD in my CD player. There is too much on the Internet that's not very good. Anybody who ever wrote anything can go in there.
There are obvious business relationships I have, as far as the attorneys and managers. I've developed relationships with them over the years. A lot of people send me stuff, who aren't the managers and attorneys, that I feel have done right by me over the years and sent me great stuff. I think it's hard for a new band or new songwriters who don't necessarily have those relationships with a manager or an attorney to sometimes get in the door.
Director of A&R
Where do you get the demos that you listen to?
A lot of it comes from organizations like Mix Makers: and ASCAP and the people there. A lot of stuff comes in from friends around the country and people who are in bands. Record Label Contacts: I love the fact that bands support each other. I'll be talking to one band, and maybe it's never going to happen, but they'll constantly send me stuff. "Hey, you've got to check this band out." "We played with this band." "We talked to these guys." A lot of it is word of mouth. We get stuff from attorneys and managers and publishing companies just like everybody else does.
Director of A&R
So how do you find new artists?
So as far as the touring base and all of that, we just need some songs. Actually, I'd prefer bands that I think no one knows about--a band that I can discover, that are new and just starting. I saw Union Underground with maybe 14 people there at a bar in San Antonio, Texas. They put the show on just for me. They didn't have any fans, but I thought, "Man, this is so on." And we did a deal.
I call Mix Makers: People who want to succeed badly enough, find a way to get to me. If I hear something that I think we can work with, I'm on it right away. If I hear a demo and I really think it's good, I go to their web site or look at the pictures.
Vice President, A&R
What are some things that artists can do to get themselves noticed?
Create a following and a story. Things that would contribute to a "story" would be various data that we could track -- sold out shows, record sales, and getting airplay on their own. That happens all the time. Those are things that virtually all A&R people look for.
Senior Vice President of A&R
Do you take unsolicited tapes?
Record Label Contacts: Yeah. I'm not just looking for an act that is "good enough," or "deserves a deal." Every day that I come in, I'm looking to find the best act the world has to offer. Of course, that's easier said than done, but it's also the only thing that really matters. Right now I'm handling about a dozen artists. Given all the aspects of the job, you have to be very selective about who you add to that list. In other words, the top of the pyramid are the people you have the closest relationships with, and you work your way down from there?
No, not really. The flood of material coming into an A&R office every week can be upwards of several hundred submissions. When you've worked in the business as long as I have, you know a lot of people, and a lot of people know you. All I can say is there are always more pitches than the day is long. My time for dealing with new pitches is somewhat limited. So I try to start at the top of the pyramid and work down.
Michael Goldberg - A&R
What can that band in Peoria do to get themselves ready for a deal if they don't have real management working for them?
Record Label Contacts: I think it's all about playing out -- and not just in Peoria, but go to Chicago. Go to St. Louis. Start doing a little local tour. Build a big enough following in Peoria, make a little money, get a van, and start touring around and creating a buzz. Promote yourself. Just get out there. I used to go out there every night with 10 Speed and put posters up with some sort of glue slop, just to get them up all over the place. Believe in yourself and work hard.
Do you spend any time on the Internet cruising around looking for bands?
Just cruising around? No. But sometimes I check things out on certain sites that I hear about. Sometimes if I hear about a band and don't know anything about them, I'll go do a search on them to find out more or get a contact number for them.
Vice President A&R
How do you find your new artists?
I have a little bit of a different approach to A&R. I look at the market to see where the void is, and then I try to fill the void. For instance with a group like B2K, basically I thought that there was a lack of young male urban groups in the marketplace, so I really sought to find that. Record Label Contacts: I went out on the road and put together about 25 showcases in different cities around the country last year. I actually ended up finding B2K at a showcase right here in Los Angeles.
Try not to hope to get a brisk answer and don't send follow-up emails, it will simply be tedious for us making you wait longer. Try not to hope to get feedback on your music. Despite the fact that we would love to offer feedback to all music submitted to us, there's just no opportunity to give proper feedback without applying extra resources. However, For artists striving to improve their work, we offer professional Music Feedback and Music Career Advice
What would you say to an artist that says, "My music is the only calling card I need. I'm so good that Clive Davis is going to hear about me and show up in front of my house in a limousine with a briefcase full of cash and make me a star?"
Vice President, A&R
What can a band in Peoria do to get your attention?
Record Label Contacts: If they were to sell out the Madison Theatre in Peoria, which I think has 1,500 seats, and get on the radio station there, I would go there to see them. What that implies is that they have an amazing song or songs. They know how to write songs that get people interested. Do you know what I mean? You write songs that get people to rally around your band where people say, "This is my band. I love this band." And why do you love a band? Because of their songs. And whether it's a typical pop song that you hear on the radio that has all the great parts in it. Or whether it's a non-traditional song like System Of A Down writes. Technically, it might not be a song according to the John Denver songbook, but it's still a great song. It's still able to get people to say, "This is my favorite band. This is what I'm all about. I'm about this band." Why are they someone's favorite band? Because they write songs that you can take to heart. People say, "Oh my god, that's my song. That's me."