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What Is An A&R:

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Song Upload:

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Included With: “The Music Marketing Engine” we give you access to Email Marketing Service/Software for FREE so that you can give a couple songs away in order to receive a potential fans email address. It takes up to five points of contact to convert 5-10 percent of your targeted market in to a sales conversion, comes with Music Mastering.




















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How to Get Solicited In 2019

When a Record Label A&R, Music Manager, Music Publisher or Music Producers states they only accept solicited material, this means you need to ask permission to send a package. Simply mailing them your demo & promotional material in high hopes that they will listen to your music is sometimes likely to be successful, although this strategy has worked for some artists in the past, making contact with your intended music industry professional & making sure that they are expecting your package seriously increases your chances of being heard. It is also important to get professional Audio Mastering by a professional before sending your CD to A&R reps. you should definitely make contact with Music Record Labels A&R People that accept unsolicited material to make sure that they will be expecting your package. You should always call first before submitting your material. This will ensure your package will get priority over another unsolicited package. It is part of the A&R assistant’s job to listen to Demos, check emails and receive faxes for the A&R that they work for. Your Demo should be 3-5 songs, make sure that you include your greatest material with the best song first. You want your music to grab an A&R Reps attention in the first 15 seconds. Music industry contacts!

You don't have to be a famous music mogul to be solicited. When speaking with A&R Reps, Music Managers, Music Publishers, Music Producers, Music Managers, Music Agents, Music Supervisors, Radio Stations and Music Attorneys you must be extremely professional even when you are speaking with an Assistant, Secretary or Executive Assistant. These Music Industry Professionals are responsible for filtering out calls from amateurs. The important thing is to build a relationship with everyone you come in contact with especially people that are lower on the food chain, just show everyone respect. Find out the names of everyone that you come in contact with. Ask them questions like who they have worked with in the past & what styles or genres of music they prefer. It is much better to pinpoint A&R Reps, Music Agents, Music Managers, Music Supervisors, Music Publishers, Radio Stations and Music Attorneys that work in your Genre or style of music. Don't waste your efforts! Be always ready to explain who you are, what you are doing to further your music career and what separates you as an artist or your band from the rest of the musicians out there.

If you have music website with some music clips & mp3 player a Music Manager, Music Managers, A&R Reps, Music Agents, Music Supervisors, Music Publishers, Radio Stations, Music Attorneys & Record Labels will tend to listen to what you have to say and will usually check out your music website and listen to your best songs. Don't ever call a record label like a rookie & start telling them that you are platinum or a star or whatever. These days the most important thing an artist can have is a music website or artist, band or music producer website. We wrote an extensive section in All Music Industry Contacts Plus that explains exactly how to build your music website for little or no money. When calling Music Managers, A&R Reps, Music Agents, Music Supervisors, Music Publishers, Radio Stations, Music Attorneys & Record Labels it is extremely important to make friends with executive assistants, secretaries & receptionists. Ask them if they will accept your email, visit your music website & listen to your music. You may even be doing them a favor by entertaining them for a few minutes. Remember some people who work at Record Labels or Music Management Companies are just doing a job & sometimes don’t get the money or respect that they deserve. Try & light up their day with your upbeat personality. If you want to be in the music industry you must handle rejection as well. Music industry contacts!

If I get negative results or feedback when trying to speak with someone in the music industry it only makes me more persistent & determined to prove to them that I am significant. Don't be astonished if people are rude or a little hard to deal with, this is the music business. Sometimes you may have to kill them with kindness & be as polite as possible when speaking with Music Managers, A&R Reps, Music Agents, Music Supervisors, Music Publishers, Radio Stations, and Music Attorneys & Record Labels. At least if they hear your name & listen to a few of your tunes you made a new music contact in the music industry. When an executive assistant answers the phone you should already know what you are going to say to him/her. Don't sound anxious or be overly aggressive when speaking with your targeted music industry contact. Think of the executive assistants, receptionists & secretaries as a filter. All music industry contacts!

The warning no unsolicited material is usually used so that record labels don't get swamped with demos or music submissions, although if you have a music website you can easily send them an email with a link to your music being played natively so that they don't have to visit another page to listen to your music so you should have a builtin.mp3 player on your music website programmed to play 2-3 of your best songs, the best first obviously. It is not that Music Managers, A&R Reps, Music Agents, Music Attorneys, Music Supervisors, Music Publishers; Radio Stations & Record Labels don't want to listen to new material because they do. It’s more like they don't have the time to listen to everything that comes across their desk. If a record label hasn't heard of you yet, you should always give them a call first unless you are contacting them via email, then all you have to do is make sure that your email is catered to that specific individual. When your music is solicited it gets priority over something not solicited. This doesn't necessarily mean music contacts are not going to listen to your music at all; it just means you have to get creative. Most Music Agents, Music Supervisors, Music Publishers, Radio Stations, Music Managers, A&R Reps, Music Attorneys & Music Record Labels have people that listen to unsolicited material for them. It is usually an Executive Assistant A&R Scout or one or more of their many Interns. Other music industry contacts or music companies may throw unsolicited material away or send it back to you that are why you need to have your own music website or custom designed artist, band or music producer website. It is a known fact that many huge artists were discovered by someone listening to unsolicited material. Music industry contacts!

These days with the advance in technology the best way to shop your music to targeted music industry contacts including Music Supervisors, Music Managers, Music Publishers, A&R Reps, Music Agents, Radio Stations, Music Attorneys & Record Labels is to send out one detailed email specific to the music industry contacts you intend to email and include a link to your custom music website that contains a built-in. Mp3 and or video player. Sending out mass emails or emailing more than one music industry professional at a time may backfire because people know the difference between Spam and a targeted message intended only for them. All music industry contacts!







Do You Want to Make It in The Music Industry?

You Will Need These Music Industry Contacts!

All Music Industry Contacts (Plus)

  • Includes: Over 48,000 Music Industry Contacts!
  • All Updated For (February 2019):

We Have The Most Extensive & Up To Date Music Industry Contacts Directories In The World; All Music Industry Contacts Plus Includes 11Separate Directories & Is Over 1,000 + Pages! We Also Have Our New Products Called: Music Management 101 and The Music Marketing Engine which are both over 1,000 pages and give you access to Music Marketing Analytics, Entertainment Science, Targeted Keywords, Self Music Management until you attract Top Music Managers or Record Label A&R.

With All Music Industry Contacts (Plus) You Can Get In Direct Contact With Thousands of Music Industry Professionals; Including Successful Record Label A&R, A&R, Music Managers, Music Management, Artist Management, Talent Manager, Band Manager, Music Agents, Music Booking Agent, Booking Agent, Music Producers, Record Producer, Music Marketing, Music Resources, Music Publicists, Music Attorneys, Record Label, Record Labels, Record Company, Record Companies, Record Deal, independent Record Labels, Music Industry, Radio Stations, Talent Agent, Def Jam A&R, Def Jam, TV and Film Music Supervisors and Music Publishers! All Music Industry Contacts (Plus) Is Comprised Of 1,000 + Pages Of Updated Music Industry Contacts Information! Everybody Who Is Anybody In "The Music Industry" Is Listed In Our 11 Comprehensive Music Resources.

(AMIC) Plus: Includes: The Direct Phone Number, Email Address, Mailing Address & Credits To Thousands Of The Most Successful People In The Music Industry That Accept Unsolicited Material & Are Looking For Talented Artists, Bands & Music Producers To Sign Right Now! You Can Only Get This Updated and Complete Contact Information Here.

We Have A Team Of 4 Music Industry Professionals who verify our music industry contact information daily and make over 800 verification calls a week, thats over 38,400 calls a year to make sure that you have the most accurate information possible!

Mix Makers LLC. was Founded In 2001 By Highly Successful Online Music Marketing Consultant Ryan Clement AKA Riveechi Who Is Also A Popular Artist/Singer/Rapper and Music Producer. Ryan Grew Up In the Bay Area and Is Now Living In Burbank California/LA/West Coast. You Can Listen to Ryan Clement's 30 Song Triple Album At: Ryan Clement sells a T-Shirt and a 30 Song Triple Album called "True To This" For $34.95 and Makes $28,000 to $36,00) Per Month in Song and Album downloads alone. "Learn How Ryan Clement Does It Using Music Marketing Analytics Data!" Order All Music Industry Contacts (Plus), The Music Marketing Engine, Music Management 101 and All 3 Music Marketing Products.

Whether you are an Independent Artist, Band, Musician, Singer, Rapper, A&R, Music Managers, Artist Management, Music Management, Talent Manager, Band Manager, Music Booking Agent, Booking Agent, Talent Agent, Music Producers, Record Producer, Music Marketing, Music Professionals, Music Resources, Record Deal, Music Industry Contacts, Music Contacts, Def Jam A&R, Record Label A&R, Record Label,Record Labels, Record Company, Music Agents, Music Attorneys, Music Publishers, Music Publicista, Record Deal, Independent Record Labels, Talent Manager, Def Jam, Music Distributor or Entertainment Industry Entrepreneur!

Basically if you work anywhere in The Music Industry:

You will need these Music Industry Contacts


All Music Industry Contacts (Plus):

If you want to increase your status in the music industry as an artist, band, music producer or music manager? You will need this information! Our All Music Industry Contacts (Plus) Directory “Instant Download” includes all of America’s “Top Record Label A&R, Music Managers, Music Producers, Music Publishers, Music Booking Agents, Radio Stations, Music Supervisors, Music Publicists, Music Attorneys, Independent Record Label A&R & Music Marketing & Promotion Contacts in every genre listed in alphabetical order, including their complete contact information & credits including their current email address which you can use to send music industry professionals a link to your music profile, online press kit or artist, band or music producer website.” If you don’t have a press kit or music website our company can design one for you as long as you order at least one of our famous music marketing products like All Music Industry Contacts (Plus), Music Management 101 or The Music Marketing Engine and become a customer. We give current customer’s special promotions & things for certain products and services that we provide. All you have to do after ordering one of our products is sign up to pay $20 per month for your press kit or custom music website design. Then Click “Music Websites” All Music Industry Contacts (Plus) or AMIC (Plus) for short will make it possible for you to send your music to everyone who is anyone in the music industry, all you have to do is send them an email! Most of these executives accept unsolicited material & are looking for talent to sign right now! If you are a music producer you will be able to shop your music to A&R'S that need help completing a record and we all know they can't pay Dr. Dre or Timbaland to produce every track. This is the same for all genres. All you have to know is that we know how to sell independent music and our products/books have live links to rad services. If you order “The Music Marketing Engine you will get access to free email marketing services/software so that you can use to collect fans email addresses and that’s how you make money, you turn regular fans into super fans that will buy your music and all you have to do is read the material.

Ryan Clement spent the last five years working with other music industry entrepreneurs. It’s a fact that if I contact the right person up to five times, you will make a conversion/sale. You will get a lot of regular fans but only your super fans will pull out their credit card and buy your EP or LP Album, the difference is that an EP is only 5-8 songs. I get at least 5 sales out of every 100 visitors for $34.95 because I sell a 30 song “Triple Album” called “True To This” and I also sell my Super Fans a signed T-Shirt. I use a marker that’s kinda like silver paint. You can listen and purchase my music at:

Ryan Clement AKA. Riveechi Album Cover

Ryan Clement AKA. Riveechi

We will either help you build a huge fan base or will get you signed. Each one of our 3 music marketing products/books are extremely extensive and are at least 1,000 pages of creative and helpful music industry related content with live targeted links to FREE products and services that you will need to get ahead and make a living making music. “The Music Marketing Engine and Music Management 101 will teach you self management at the beginning of your music career so that later on you can attract Top Music Managers or Major Record Label A&R by utilizing our proven and tested methods, about how to make your music go viral.” and how to track and target usic music marketing analytics dataSays, Ryan Clement Founder/CEO of our company Mix Makers. “We created All Music Industry Contacts (Plus) for talented Artists, Bands & Music Producers. There are only a few ways to get in or sustain your position in the music business! The most realistic way is to constantly contact successful Record Label A&R, Music Manager and Music Producers. It’s all about being professional! We created All Music Industry Contacts for that purpose! We are making available what takes us hundreds of hours to create & update for only $32.95. You will only understand how powerful All Music Industry Contacts is if you put it to use. We created this package so that everyone can afford it. That’s a wrap! Good luck in everything that you do! We hope you accomplish all of your goals & remember this business is more about persistence than it is about talent!

"Get a Custom Designed Artist, Band or Music Producer Website For Only $20 Per Month After You Order One of Our Music Marketing Products and Become a Customer, Music Websites Come With Music Mastering For Up to a 5 song EP."Send Us a Text Message After You Order Either All Music Industry Contacts Plus, Music Management 101 or The Music Marketing Engine (818) 459 2004 Text Messages Only Please.


Now you have written a great song, made an awesome demo so now you will be rich and famous, right. Well, it is possible but I highly doubt it. There is not a doubt that being an amazing singer/songwriter, rapper, music producer, or musician that has a perfectly mixed and mastered version of all your songs is a great strategy in and of it. However, if you are engaged in having your music see the light of day by music industry contacts, your career is really just starting.

While businesses like Mix Makers who publishes All Music Industry Contacts do a delightful job of helping you get your songs out & into the world, it is still totally up to you to be sure your music gets into the right hands. Until the music industry contacts who can essentially do something with your tunes including: music industry contacts like record label A&R, music producers, music managers and music publishers) have listened to it, it might as well not exist. I understand that this sounds apparent although I believe you would be stunned at the amount of singer/songwriters rappers, music producers and musicians out there who has an impressive demo that very few, if any, music industry contacts people have ever heard. Creating the songs is one thing but getting your songs out there into the world requires a unique set of skills. The talents you should be focusing on are professionalism, networking, persistence; I will say again persistence, courtesy, and patience.


 Like any industry, it is not only what you know it is also who you know which can get you ahead in music. What this means in the music industry is getting yourself out there to music industry events, open micas, writer’s nights and any form of promotion you can find. For those of you that live in cities where music industry contacts are more likely to be like New York, Nashville and Los Angeles, there is an just about an endless stream of opportunities to meet successful music contacts. For everybody else, you may have to gaze a little harder or take a trip from time to time to one of the cities I just pointed out. I think it is a common fact that this kind of thing is not that much fun consistently however, when you are first starting out it is necessary. Let’s put it this way: All things being equivalent, if you’ve ever met music industry contacts from a record company or music publishing company in a social situation and assuming you had a pleasant exchange, there’s a much larger possibility that they’ll not only consider you when you call but will make more of an attempt to help you out if they can. The point is that the more you get in contact with music industry contacts that work in the music industry, the more contacts you will encounter and the better the chance it will pay back down the road. I also suggest remembering a few key social skills while you are at it. Do not instantaneously launch into your 10-minute, spoken-word biography. It is a much better idea to find out a little something about the music contact you are chatting with by remembering to ask them a few questions as well.

Music Professionals

 Did I forget mention we are talking about the music industry? This means it is in your utmost interest to be proficient about how you go forward with music industry contacts in the business. When approaching someone in the music business, email or call first. Make the first contact brief and to the point. In other words, let them understand why you are calling/emailing (e.g., to schedule a meeting, to see if they are accepting music at this time, to ask whether you can submit a link to your website or an mp3, etc.). This is not the time to have a long conversation. If somebody has referred you that they know (see “networking” above), bring this up as well. In addition, while it is cool to be thrilled and even confident about your material, it hardly ever pays to tell somebody that you have a “killer” song or you are a “dope” singer/songwriter. Let your melody speak for itself. Once you have gotten authorization to do so, then submit your website link or bring it to the meeting. It truly doe's not make sense to send out CDs or mp3's without first getting approval from music industry contacts, as they usually end up at the bottom of the trash or, even better, the person who has not asked for it considers it and disturbance. Do not kill the messenger here; I am just saying that the odds are that if someone is not expecting your material, there is a good chance it will not be heard.

By the way, if you have never seen the office of an a&r rep or music publisher, I am here to tell you that it is wall-to-wall CDs. We’re talking hundreds and hundreds if not thousands of them. Make sure that your CD is clearly labeled with a few simple elements: your name and contact information (phone and email), the name of the song or songs and possibly — if it’s a song for an artist — the name of the person you’re pitching it to. Also, make certain that every part of the package is labeled. This means putting your information on the CD and on the CD sleeve or jewel case. Make sure that if the CD itself gets separated from the case, the information is the CD, too. Also, if you’re using a jewel case, make sure there’s information on the spine. Remember the part where I said there are thousands of CDs in these folks’ offices? When your CD ends up on a shelf with all the others, the spine of the CD will be the only way for them to identify it. Finally, I can think of no good reason why any submission should be more than three songs. If you’re pitching a song to an artist, they’re not hoping for a “bonus track.” If you’re pitching to a publisher, three songs is a good way to show them you’ve got more than one good song without overdoing it. If they want more, believe me, they’ll ask. It all comes down to putting yourself in the position of the industry person. If they’ve got a desk full of CDs to listen to and have to choose between a CD with two songs on it or one with 19 songs, which one do you think they’ll pick?  


Let’s say you’re fortunate enough to reach someone by either phone or email and they’ve agreed to let you mail in a CD or email them an mp3. Here’s what you should expect: Nothing. In other words, it’s extremely rare that you’ll hear anything back quickly after you submit it. As a matter of fact, you should put in your calendar to follow up two or three weeks after you’ve submitted something. This follow-up should be even shorter than your initial contact. Email is probably best for this. A simple email saying you wanted to make sure they’d received your submission is enough. Also, don’t be surprised if the response you get back (if you’re lucky enough to get one) says they haven’t gotten it and would you mind resending it. Resending material is something that you should expect to do. Following up every two to three weeks (unless you’re asked not to) is perfectly acceptable if you’re polite and to the point. I’m not a cynic and I don’t believe that anyone has an agenda to ignore submitted material. I’m a realist and the sheer number of submissions makes it almost impossible for anyone to stay on top of things. Anything you can do to help remind someone is in your best interest and generally appreciated.


 I think it’s important to realize that no one in the industry owes you anything. This may sound harsh but it’s an important point. You may very well have great songs and it would be in the best interest of the industry professional you’re pursuing to listen to them, but there are a lot of great songs out there and only a limited number of opportunities for them. If your song isn’t listened to right away or even if it’s lost or ignored, don’t take it personally. I’m a songwriter myself so I know exactly how important your songs are to you. It’s not easy to submit them for judgment and tougher still to wait around hoping someone will actually listen. However, you’ll only do yourself a disservice by being rude or impatient with someone and heaven help you if you get a reputation in the industry for being difficult or unpleasant.


Given that there are so many artists, songwriters and songs out there vying for a limited number of spots, it all comes down to patience — patience with yourself as you improve your musical skills and patience with the industry people you’re soliciting as they make their way through all of the material in line ahead of you. My recommendation is to have as many irons in the fire as you possibly can at all times so that you are not waiting for any one thing to happen or not to happen, as is so often the case. The more people you get to know, the more opportunities you explore and the more submissions you make, the less likely you are to get discouraged and the more likely you are to start having success.

I'm not only the Founder of Mix Makers LLC. Ryan Clement Management and Ryan Clement Mastering While working directly with the CEO'S of Side One Dummy Records Bill Armstrong and Joe Sib. together over the past 15 years, we have done amazing things using online marketing to sell a lot of music independently, mostly at Anyway, a great investment for me which also helps me to give back to my customers and independent artists like myself in general. I get lucky sometimes, other times I have to work really hard to make a difference. I'm also an artist and music producer myself and a music manager looking for the right Artists, Bands and Music Producers to manage besides myself, when you manage yourself it's actually called self-management and I've done a lot of that in the past 18 years. Check out my personal website that I designed myself, you can listen to 8 of my songs for free.

If you are an artist, band or music producer you will be able to shop your music to A&R Reps, Music Producers, Music Managers, Music Management, Artist Management, Music Supervisors, Music Publishers, Music Publicists, Music Agents, Music Attorneys, Radio Stations & Independent Record Labels that need help completing a song, video or music project. We created All Music Industry Contacts for talented Artists, Bands, Music Managers, Record Labels, Music Producers, Singers, Rappers, Musicians, Etc..

"The Music Industry Plan" included in The Music Marketing Engine will teach you how to advertise your music to targeted fans around the world so that you can collect data analytics about your potential fan base in order to target your market and track your fans that actually buy your music and covert into sales which is called a conversion. Music Marketing Analytics data will allow you to focus all of your efforts in the right place and without tracking data its like flying blind or without radar. You can utilize Google Analytics so that you can study your music marketing analytics data and learn exactly who converts into a sale and how much it costs for a conversion. The Music Marketing Engine will go over all of these New Music Marketing concepts which are way ahead of their time. Ryan Clement is one of the first music marketing consultants to study Entertainment Science Data on a huge scale. "The Music Industry Plan" located inside "The Music Marketing Engine" Instant Download will teach you exactly how Music Marketing Analytics works and this knowledge is 3-5 years ahead of it's time. Very Important for you to know in "The Music Industry" now and ten years down the line

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